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Research

Polio & F.D.R. American Baddass

One of my husband’s buddies recommended we watch a new youtube movie trailer. The (no) minute clip for F.D.R American Baddass obsene, but incredibly funny. It follows the familiar path of books such as Little Vampire Women & Pride and Prejudice with Zombies, and the movie Abraham Lincoln Vampire Hunter due out later this year. In F.D.R. American Baddass, F.D.R. contracts polio from a werewolf bite. As absurd as this idea is it got me to thinking about this dangerous virus. Polio. The very word once struck fear into the hearts of adults and children alike. Just how devastating was virus? Let’s take a look.
Mortality
According to Post Health International (PHI) between 1937 -2008 over 457,000 people have contracted polio. From 1946 to 1956 an average of 31,000 people contracted polio a year. The greatest peak came in 1952 where 57,879 cases were reported. PHI did not distinguish between adults and children contracting the disease.
 

Symptoms

The polio virus thrives in the throat and intestines and spreads easily from person to person via oral or nasal secretions Most individuals that contract the disease show little or no symptoms. 1% may develop paralysis or even death.

 

There are four different types of polio: In apparent, abortive, non-paralytic and paralytic. In apparent is the mildest. Usually resulting in flue like symptoms. Abortive also has flu like symptoms with abdominal pain. Non-paralytic have the same symptoms as In apparent & abortive in addition to stiff necks and achy limbs. The most severe and the rarest is paralytic. With paralytic, the virus attacks and destroys the motor neurons. Theses cells are responsible for relaying message from the brain the muscles. Paralysis does not mean lack of feeling. While victims cannot move their legs they still retain all feeling (Peters, Stephanie True. Epidemic! The Battle Against Polio. New York: Benchmark Books, 2005 pgs. 2-7). Many peoples lungs were effected and without the help of an iron lung, death was certain. Polio touched every ones lives even my own family. My uncle succumbed to the virus and died at fifteen. Yet many children and young adults survived, but their bodies were never the same. polio as ‘torture time’ (qtd. in Peters, Epidemic!, pg. 41). Lengthy follow up treatements, followed by excuricating physcial theropy, and numberous fittings for braces and crutches. For those that were able to regain use of their legs, it was a long, slow recovery.

A Race for the Cure

In 1937 the National Foundation for Infantile Paralysis (NFIP) was established to study and help those effected by polio. Despite generous donations, NFIP still couldn’t raise enough money. FDR made a plea to the general public. During one fund raiser, Eddie Cantor (a famous pop star of the day) joked to send dimes to the president. People answered the call and 2,680,000 dimes flooded the White House mail At FDR’s death in April of 1945, as a memorial to the President, the dime was later fitted with his likeness.

On April 12, 1955, people breathed a sigh of relief. Dr. Jonas Salk developed the first effective polio vaccine. Dr. Albert Sabin later developed an oral vaccine that met with controversy. It wasn’t until the Worth Health Organization (WHO) began using the oral vaccine (opposed to Salk’s injection form) in Russia, did popular sentiment toward Sabin’s oral vaccine change (Peters, Epidemic!, pg. 57). By 2000 the oral vaccine (OPV) is no longer the common form of vaccinations for polio. Instead the IPV (injection) form has once again become more popular. It’s given in four doses 2, 4, 6 & 18 months and later as a booster to 4-6 year olds. While the virus has been pretty much eradicated in the U.S., the disease has not disappeared completely in other parts of the world.

Publishing

A New State in the Publishing World

I try to take in about a half hour of news per day. This usually consists of listening to NPR on my way home from work. A story on All Tech Considered back in December got me to thinking about how writers, literary agents, editors, and publishers are all voicing their concerns about the evolving publishing world.

While listening to the story, one particular question kept bumping around my in my head. When was the last time the publishing world had to adopt a new format? Mass-market paperbacks were the only thing that came to mind. These cheap, glue-bound books have been around in one form or another since the 19th Century, but saw a reassurance after WWII. In the past sixty years, other forms of media have evolved. It’s about time the publishing world caught up.

E-readers and tablets are changing the way consumers buy and read books. I have a NOOK Color (I chose this e-reader for a variety of reasons which I won’t go into here). I’m constantly amazed at the number of e-book selections on B&N & Amazon websites for a dollar or less. This ties into the NPR article in December where a reviewer was overwhelmed by the number of available apps. Most of the apps were priced at a dollar or less, which mirrors the trends in the e-book world. Consumers are demanding cheap entertainment, whether it can be downloaded to a phone, tablet, or e-reader. Publishers are forced to meet this demand which is a detriment to every one in the publishing worlds pocket books.

Low cost entertainment is both a positive and a negative. The less expensive doesn’t always guarantee quality. But in the end its all about choice. The consumer doesn’t have to rely on the displays at book and mortar stores, or big publishing houses telling them what they think they should read. Consumers have more choices—and more can be a good thing.

Writing

Secondary Characters…

Secondary characters don’t have to be people. They can be animals too. In my novel Papa’s Bones, my lead character has basset hound named Simon. By letting my main character have a dog, I can show her capacity for loyality and responsibility without having to resort to telling. I chose a basset hound for two reasons: 1)The breed attributes blended well with my main character 2)I was writing what I knew.

Living with Bella (that’s her to the left) is like having a permanent toddler with O.C.D. Just when I think I’ve learned where the invisible line is on my counter, I hear a crash and rush into the kitchen. There she is wiggling with glee trying to root open a bag of potato chips. I have to remind myself not be angry. After centuries of genetic experimentation, she’s a dwarf with an olfactory system ten million times stronger than mine.

Other than the bloodhound, basset hounds have the second strongest nose in the canine world. Their droopy ears, sagging eyes, and loose wrinkly skin turn them into one determined sniffing machine. They latch onto a smell and nothing else matters.

When developing secondary characters go beyond stereotypes. Delve farther into your imagination. And sometimes the best examples are those right in front of you.

Research

Women Lawyers in the 1940s

In my current novel, Comfortable in Alone, my main character is a female attorney in World War II, Iowa. I thought I’d share a little bit of my research concerning women’s struggles in the legal profession.

Law School:

The 19th Amendment didn’t alter men’s minds. Out of the 127 law schools in the U.S., twenty-seven of them barred women (including Columbia & Harvard). Many women couldn’t afford the tuition of bigger name universities and turned to part-time schools.

Part-time law schools were small. They had inadequate libraries, and half the teachers only taught full-time. They used the Black Method (lecture) instead of the Socratic Method (question & answer) for teaching to save time and money. Many instructors avoided discussing violence on or toward women. Usually the women in the class were asked to leave or instructed to read the material on their own. When it came time to pass the bar in 1931, two-thirds failed. If a woman did pass the bar, she would have to struggle in the real world.

The Real World:

In 1909 there were only 205 women lawyers in the United States. By 1920 there were more than 1,171 working as practicing attorneys in the less than desirable fields (anti-trust, divorce, probate and taxes). Very few women were practicing alone. Usually they worked with family members.If she did join a law firm, her name was usually at the bottom of the letterhead or not put on it at all. Many women found that if they displayed skills as a stenographer, they weren’t allowed to do anything else. For women who made the difficult decision to venture into the courtroom, she was up to another set of challenges.

Once in the courtroom, women found themselves at the mercy of judges. Some resented women, others enjoyed the oddity. Depending on the state, judges made all attorney appointments in criminal trials. If a woman was on good terms with a judge, she got more appointments. But it was usually the opposing council that caused the most problems. The vast majority of men saw women attorneys as incompetent or beneath them. This often worked in the woman’s favor. Many arrogant men came ill prepared and lost their cases for underestimating their opponent. World War II brought a new opportunity. With all the men overseas, legal jobs within the government opened up with better advancement and better pay. But many women stayed put. They didn’t want to lose the clients they worked so hard to win over.

Sources:

Chester, Ronald.Unequal Access: Women Lawyers in a Changing America. South Hadley, Massachusetts: Bergin & Garvey Publishers, Inc., 1985.

Ritchey, Charles J. Drake University Through Seventy-Five Years, 1881-1956. Des Moines, Iowa: Drake University, 1956.

Writing

Prologues

As a reader, I don’t like prologues. I tend to skip over them. But as a writer, I’m suffering a dilemma. I have two main characters. One’s POV is told in first person and fills about 75% of the story. The second main character doesn’t come in until much later, but I need to establish his motivations, so they are clear when characters 1 & 2 interact.

First, what is a prologue? Dictionary.com describes a prologue as: an introductory scene, preceding the first act of a play, opera, etc. Ok. Now that we know what they are, are prologues good or bad?

Online, there appears to be a negative association with prologues. Many readers want to jump right into the story. They don’t want to be hampered by past events. Prologues are often not done well. If a prologue is done well, what should it accomplish?

A well done prologue should accomplish two things: it should explain back story without drowning the first chapter in detail, and it hooks the reader right up front. Often the questions in the prologue will resurface or becoming a pivotal point later on.

Should I use a prologue or not? I still don’t know. First chapters are hard anyway, without adding prologues.

Publishing

June 2011 Literary Agent Status

I sent my last batch of queries out in the middle of June. I made a vow, if don’t hear back from anyone by August, I’m closing up shop for Papa’s Bones, and moving on to something else.

Stats so far:

Total Queries Sent: 213

Total Rejections: 199

Waiting on Responses: 14

Requests for partials: 7

Requests for full: 1

Writing

More on first chapters…

I’m still working out the kinks in chapter one. Papa’s Bones was a mystery. Comfortable in Alone is more literary: how do people overcome prolonged contact with a psychopath? What is a psychopath? Some look to Charles Manson or fictional characters like Hannibal Lector for examples, but according to Dr. Robert D. Hare, these types of individuals are rare. Psychopaths have a grand sense of self-worth and easy smiles. They can suck even the strongest of wills into their narcissistic web of deceit and lies, and they don’t care if they rip your life to shreds. Dr. Martha Stout in her book: The Sociopath Next Door claims that 1/25 people are psychopaths. With these numbers, some one, some time, is bound to run into a psychopath. How does one protect themselves from people like these? I guess I’m just going to have to keep writing to figure it out 😉

Research

Music & Writing

I’ve always used music to get me in the mood for writing. I plug in my ear buds and push everything out of my mind — except the scene in my head. Scenes with crater deep emotions, I tend to favor the romantics: Beethoven, Schubert, Chopin, Liszt, & Rachmaninoff. If you’re writing a historical novel, music can tell you how people felt about their rulers (Beethoven’s third symphony), or maybe even how a culture perceived death (Schubert’s “Death & the Maiden”). I use music not just as a mood enhancer, but also as a research tool. Listening to pop music of the 1920-1930s, tells you what was important and what wasn’t all infused in cultural slang. There are lots of places to get 1920s-1940s music. Flea markets. Record shops (78s are harder to come by though, since they’re so fragile). You can buy cds at your local music store or online. If you have an internet connection, a world of music is open to you. Youtube. Itunes. Rhapsody. Internet radio. Websites. When I first started writing Papa’s Bones, I bought a lot of cds. I listened to a lot of internet radio and visited a few websites, until I settled on Live365.com & Red Hot Jazz Archive. Live365.com has lots of stations you can choose from. I ended up going with Radio Dismuke, not only do you get original music, but you also get original radio commercials which is pretty cool! Red Hot Jazz Archive is another website that has jazz records from the early 1920s to the 1930s. You have to download RealPlayer to listen to the files, but the download is worth it.

I do listen to contemporary artists to get me in the writing mood too. Right now, I’m focusing on a scene where my heroine is confronting her dying villain. It involves a lot of tension and a bit of sadness. I always find artists like Christina Perri and Sarah McLaughlin a good fit for these types of scenes. Their haunting voices are always infused with a touches of melancholy.