
Private Detectives in Fiction
My current manuscript features a female private investigator trying to uncover who—or what—is behind a string of car vandalisms at a country club in 1937 Des Moines, Iowa.
Querying my latest novel has prompted me to reflect on the legacy of private investigators in fiction. Many believe Edgar Allan Poe introduced the first fictional private investigator in his short story The Murders in the Rue Morgue (1841). For the next fifty years, male characters dominated the genre until Catherine Louisa Pirkis introduced Loveday Brooke, a female detective, in 1894.
The Golden Age of Detective Fiction spans three decades (1930s–1950s). This era introduced hard-boiled detectives, inquisitive elderly women, and morally ambiguous individuals who solved crimes in unconventional ways.
Although the Golden Age has passed, others and I continue to revive the genre with fresh and inventive twists. This year, I’m paying tribute to past and present authors who celebrate my favorite genre.
The Rules
- Must have a detective in the story (The character may not think they’re one, but they must be in search of a crime).
- Each book much be from a different decade (1890s-2020s).
- Post reviews (Substack & website).
Books:
- The Experiences of Loveday Brooke, Lady Detective by Catherine Louisa Pirkis (1894).
- The Clue by Carolyn Wells (1909).
- The Capture of Paul Beck by Matthias McDonnell Bodkin (1911).
- The House Without a Key by Earl Derr Biggers (1925).
- The Conjure-Man Dies by Rudolph Fisher (1932).
- The Case of the Buried Clock by Erle Stanley Gardner (1943).
- Killer Inside Me by Jim Thompson (1952).
- A Stranger in my Grave by Margaret Millar (1960).
- Skinflick by Joseph Hansen (1979).
- Indemnity Only by Sara Peretsky (1982).
- Blanche on the Lam by Barbara Neely (1992).
- Still Life by Louise Penny (2005).
- Don’t Dare a Dame by M. Ruth Myers (2013).
- The Princess & the P.I. by Nikki Payne (2025).
